Tuesday June 10 5PM Poet Dale Patterson

On June 10 2008 5PM Dale Patterson will be our guest. Dale is a published poet (Honorable mention in the Ibbetson Street Press Poetry Award 2007). Dale is also the Manager of Development and Communications for the Boston Public Library Foundation, a grant writer, an instructor at Simmons College in Boston, and former member of the board of Somerville Community Access TV.

Poet Hugh Fox June 3 5PM

My guest June 3 5PM will be poet, critic, anthropolgist, translator, playwright, iconoclast: Hugh Fox.




Hugh Fox was born in Chicago in 1932. He spent his childhood studying violin, piano, composition and opera with his Viennese teacher Zerlina Muhlman Metzger. He received a M.A. degree in English from Loyola University in Chicago and his Ph.D. in American Literature from the University of Illinois (Urbana-Champaign). He met his first wife, a Peruvian woman named Lucia Ungaro de Zevallos, while at Urbana-Campaign and was a Professor of American Literature from 1958-1968 at Loyola University in Los Angeles. He became a Professor in the Department of American Thought and Language at Michigan State University in 1968 and remained there until he retired in 1999. It was at MSU that he met his second wife Nona Grimes. They were married in 1970. He received Fulbright Professsorships at the University of Hermosillo in Mexico in 1961, the Instituto Pedagogico and Universidad Católica in Caracas from 1964 to 1966, and at the University of Santa Catarina in Brazil from 1978-1980. He met his third wife Maria Bernadete Costa in Brazil in 1978. They've been married for 28 years. He studied Latin American literature at the University of Buenos Aires on and OAS grant and spent a year as an archaeologist in the Atacama Desert in Chile in 1986.

May 27 2008-- Poet Eva Salzman

My guest May 27, 2008 at 5PM Is poet EVA SALZMAN:



Eva Salzman grew up in Brooklyn and on Long Island where she was a dancer/choreographer. At Stuyvesant H.S., her teacher was Frank McCourt, and later, at Bennington College and Columbia University, where she received her MFA, she studied with Derek Walcott, Joseph Brodsky, C.K. Williams, Edmund White, Elizabeth Hardwick, Stanley Kunitz, Carolyn Kizer, Stephen Sandy and Jorie Graham. Her books include The English Earthquake (Bloodaxe) Bargain with the Watchman (Oxford) and, One Two II (Wrecking Ball Press), illus. Van Howell, all Poetry Book Society Recommendations/Special Commendations.

Her grandmother was a child vaudeville actress, and her mother is an environmentalist. This background, and a diverse range of jobs - as Exercise Director of a Brooklyn orthodox Jewish diet centre, out-of-print book searcher and cleaner of rich ladies' houses - all inform her writing, especially her cross-arts projects with performers and visual artists. She has collaborated with the director Rufus Norris and with composers Gary Carpenter, Rachel Leach, Philip Cashian and A.L. Nicolson. Shawna and Ron's Half Moon: An Americana Satire and One Two, commissioned by the English National Opera Studio, were performed there, at Hoxton Hall and at Greenwich Theatre. Cassandra, a mini-opera written with her composer father, Eric Salzman, has been performed in Dusseldorf, Vienna and Oslo. She won 2nd Prize in the National Poetry Competition and major prizes in the Arvon and Cardiff Poetry Competitions. Grants and awards include those from the Arts Council, Royal Literary Fund, London Arts Board and the Society of Authors

Her work has frequently been broadcast on BBC radio, and has read her work at the Royal Festival Hall, Barbican, Poetry Society, Troubadour and at festivals all over the UK, as well as in Ireland, Spain and France. In the US, she has read at the Nuyorican Café, the Walt Whitman Association and at Wesleyan Writers' Conference, where she also taught, as a Fellow two years running. Her varied teaching work has included Adjunct Professor at Friends World Programme (Long Island University, London, regular teaching for the Arvon courses, for community projects in London's East End and a residency at Springhill Prison, as well as continuing work for the Poetry Society's educational programmes, and co-devising the Open University's first Start Writing Poetry course.

Her poetry, fiction and features have appeared in the New Yorker, Kenyon, Review, Independent, Guardian, Observer, Poetry Review, TLS, London Magazine, and in the anthologies: The Firebox ed. Sean O'Brien; Hand in Hand ed. Carol Ann Duffy; Sixty Women Poets ed. Linda France; Last Words eds. Don Paterson & Jo Shapcottl; and two New Writing anthologies (British Council/Picador/Vintage) eds. John Fowles, A.L. Kennedy, Penelope Lively & George Szirtes.

She holds a West Midlands Writing Fellowship at Warwick University, where she's taught the Poetry MA, and a Royal Literary Fund Project Fellowship at Ruskin College, Oxford. Currently, she is editing an anthology of Ruskin (Oxford) work, writing fiction and an opera for Buxton Festival 2005 (composer: Ian McQueen). Her latest book, Double Crossing: New and Selected Poems (Bloodaxe 2004) is a Poetry Book Society Recommendation. She now lives in London.

Timothy Gager author of "this is where you go when you are gone" to be guest May 20,2008.

On 5/20 at 5PM my guest will be writer Timothy Gager : poet, novelist, short fiction writer.


Timothy Gager is the author of six books of short fiction and poetry. His most recent chapbook, this is where you go when you are gone , was released in 2008 from Cerena Barva Press. He hosts the Dire Literary Series in Cambridge, Massachusetts every month and is the co-founder of Somerville News Writers Festival.

His Short Stories have appeared in Word Riot, 55 Word, The Binnacle, Scene Boston, Thieve's Jargon, Long Short Story, The Smoking Poet, Zygote in My Coffee, Slurve, Poor Mojo's Almanac, VerbSap, Swankwriting (83 Words), Story Garden, Write This Magazine and Further Fenway Fiction. Timothy's poetry has been published in The Ibbetson Street Journal, Poems for All, Right Hand Pointing, GUD, Edifice Wrecked, Blue Print Review, Barnstorm, Erato, Hobart, The Long Islander, The Binnacle, Spare Change, The Somerville News, High Horse, Third Lung Review, 63 Channels, Poesy XXIV and Night Train. He had 32 works of fiction and poetry published in 2007.

Timothy is the current Fiction Editor of The Wilderness House Literary Review, the founding co-editor of The Heat City Literary Review and has edited the book, Out of the Blue Writers Unite: A Book of Poetry and Prose from the Out of the Blue Art Gallery.

A graduate of the University of Delaware, Timothy lives in Dedham, Massachusetts and is employed as a social worker

May 6 Poet Marian Kaplun Shapiro

BIO: Marian Kaplun Shapiro


May 6, 2008 Marian Kaplun Shapiro

Born in 1939 in The Bronx (New York City), Marian Kaplun Shapiro received her B.A. in English (writing) from Queens College, and her Masters and Doctorate from Harvard. She lives in Lexington, Massachusetts, where she practices as a psychologist, specializing in post-traumatic stress disorder. In addition she has a specialty in working with hypnosis to enhance creativity for writers, artists, and musicians. She is a wife, mother, grandmother, and a Jewish Quaker.

In addition to her poetry, which has appeared in various literary magazines, she is the author of a full-length book of poetry, Players In The Dream, Dreamers In The Play (Plain View Press, 2007); two chapbooks, Your Third Wish (Finishing Line Press, 2007) and The End Of The World, Announced On Wednesday (Pudding House Press, 2007); a professional book, Second Childhood (Norton, 1989), a chapter in What Is Psychotherapy? (Jossey-Bass, 1990), and in Play (Wiley, 2002) and many journal articles.



As a young person, Marian was encouraged by her poetry studies with Stephen Stepanchev, Stanley Kunitz, Alan Tate, Kenneth Koch, and Archibald MacLeish. However, it is only since 2002 that she began to submit her work, and achieve publication in over 108 journals and anthologies, winning many (non-lucrative) prizes en route. She is constantly amazed at her good fortune, which includes her husband, two children, and four grandchildren. Her poetry often reflects the splitscreen truths of violence and peace, doubt and belief, despair and abiding hope.



READINGS: Around here, at the Friends Meeting in Cambridge; at the Lexington Public Library; at the Fireside Poetry series; at the Depot Square Gallery in Lexington. In NYC, at the Bowery Poets’ Club. In NC, at Guilford College. In Maine, at the Rangeley Public Library; in NH at the Peterboro Theatre and at the Peterboro Museum; in Chicago (in July) at the Women Made Gallery.



CHILDHOOD: Grew up as an ‘only child’ in a low-cost housing project in The Bronx. Graduated from the (free) Queens College just before turning 20. Married at 20 ½, after meeting husband and getting engaged in 10 days – must have worked, since am still happily married after 48 years. Went for a masters at Harvard, and then taught English in N.Quincy HS, where I ran a creative writing class and magazine. Then had two children, and when the second was one year old, taught English for 6 years part-time to returning adults at the Carnegie Institute of Medical Technology, where I got interested in adult learning. I went back to Harvard for the doctorate, starting out in Adult Education, and switching to psychology, becoming a psychologist and therapist in private practice in 1980.



’

April 15 Poet Miriam Levine

My guest will be poet Miriam Levine April 15 5PM



"I'm interested in people and their stories,"
says Miriam Levine. Her most recent book is The Dark Opens, winner of the 2007 Autumn House Poetry Prize. She is the author of In Paterson, a novel, Devotion: A Memoir, three poetry collections, and A Guide to Writers' Homes in New England. Her work has appeared in Harvard Review, The Kenyon Review, The Paris Review, and Ploughshares, among many other places.

A recipient of a National Endowment for the Arts writing fellowship and grants from the Massachusetts Artists Foundation, she was a fellow at Yaddo, Hawthornden Castle, Le Château de Lavigny, Villa Montalvo, Fundación Valparaíso, and the Millay Colony for the Arts.

She is Professor Emerita at Framingham State College, where she chaired the English Department and was Coordinator of the Arts and Humanities Program.

Born in Paterson, New Jersey, Miriam Levine now divides her time between Florida and Massachusetts. Currently she is at work on a new novel and a poetry collection

April 1 5PM Poet/Memoirist Richard Hoffman

Writing, Literature & Publishing Faculty
Richard Hoffman
Writer-in-Residence (2001)
B.A., Fordham University; M.F.A., Goddard College
http://www.abbington.com/hoffman

April 1, 2008: My guest will be Richard Hoffman

Richard Hoffman is author of Half the House: a Memoir, and the poetry collections, Without Paradise and Gold Star Road, winner of the Barrow Street Press Poetry Prize. His work, both verse and prose, has appeared in Agni, Ascent, Harvard Review, Hudson Review, Poetry, Witness and other magazines. He has been awarded several fellowships and prizes, most recently a Massachusetts Cultural Council Fellowship in fiction, and The Literary Review's Charles Angoff Prize for the essay.

March 25--Poet Ed Meek

(Ed Meek center)


March 25 5PM Poet Ed Meek. Somerville poet Ed Meek has had a long, and varied career. He has worked as a wine steward at Locke-Ober's in the 1970's, and has taught English in Tehran, Iran, Curry College, community colleges, and high schools throughout the region. His work has appeared in the Paris Review, Cream City, Yankee, Ibbetson Street, and others. His latest poetry collection is "What We Love." ( Blue Light Press)

March 11- New Director of the Cape Cod Writers Center Anne Elizabeth Tom

(Cape Cod Writers Center)




March 11 5PM: My guest will be poet Anne Elizabeth Tom, the new director of the Cape Cod Writer's Center.

The mission of the Cape Cod Writers Center is to assist published and aspiring writers of all genres, abilities and ages to develop their writing skills and learn to edit, publish and publicize their works; to promote authors; to provide opportunities for writers to gather for inspiration, education and networking; and to introduce readers to authors and their works.

Anne Elizabeth Tom was born in Boston, grew up in the historic homes and museums of New England, and lived in Woods Hole, MA for several years. After earning a M. A. in Fine Arts from Tufts University, she spent 25 years as a researcher/writer, arts and museum educator, and as executive director of the 1785 Lee-Fendall House Museum in Old Town Alexandria.

A poet, founder of The Grange Hall Summer Poetry Series, and the Louise I. Guiney Center for Poets and Playwrights,Ms. Tom taught New England Literary History for the Academy for Lifelong Learning at Cape Cod Community College. She and her husband now make their home in Sandwich.

Ms. Tom is a world traveler and has lived in Los Angeles, Washington, DC and New York City, where she wrote and worked in universities and museums. While residing in Honolulu for 18 months, she earned a certificate in Intercultural Leadership from Asia- Pacific College, an affiliate of The University of Hawaii. During that time she studied Native Hawaiian culture, as it relates to North and South American anthropology, and looks forward to sharing her knowledge of the places and people of the islands in Asian-Pacific Cultural Tours, starting in winter of 2008.

She was a member of the Sandwich Cultural Council from 2001-2004, the board of The Nye Family Association from 2001- 2005, and now serves on the Advisory Committee for the Benjamin Nye House and Gardens in East Sandwich. Her other Cape affiliations include the Provincetown Fine Arts Work Center, the Cape Cod Writers Center, and the Sandwich Chamber of Commerce.

Feb 19 Poet Lisa Beatman author "Manufacturing America"

Lisa Beatman lives in Roslindale , MA, and manages adult literacy programs at the Harriet Tubman House in the South End. She won Honorable Mention for the 2004 Miriam Lindberg International Poetry Peace Prize and was awarded a Massachusetts Cultural Council Grant, as well as a fellowship to Sacatar Institute in Brazil .

Lisa’s work has appeared in Lonely Planet, Lilith Magazine , Hawaii Pacific Review, Rhino, Manzanita, Political Affairs, The Boston Globe, and Pemmican. Her first book, Ladies’ Night at the Blue Hill Spa, was published by Bear House Publishing.

Her second collection, Manufacturing America: Poems from the Factory Floor, has just been released by Ibbetson Press. The collection moves through the ‘life cycle’ of manufacturing – from its roots in the Lowell, MA textile mills, through downsizing, to the "artist lofts" mined from the old buildings as manufacturing moves overseas. It documents the swan song of a formerly vital sector that historically provided a leg up to many American workers. The book is true-to-life, based on her work at a print and paper manufacturing plant in Somerville , MA.

Feb 5 5PM Poet Richard Wilhelm

My guest Feb 5 at 5PM is poet Richard Wilhelm, the author of the poetry collection;"Awakenings"



Intimations of Survival in the poems of Richard Wilhelm

Review by Michael Todd Steffen




A thread of tradition in the cycle of the calendar year weaves the sequence of Richard Wilhelm’s book of poems, Awakenings (October 2007, Ibbetson Street Press), beginning with death in dull winter, proceeding to rebirth and awakening in spring, maturity and confidence in summer, ripening to harvest in autumn with premonitions of death again, still with the poet’s affirmation in the final line of the final poem,
A PASSENGER, “seeking yet another rebirth.”
Yet Wilhelm’s year is incomplete, denoting a sense of loss that resonates throughout the book. If William Carlos Williams tells us to invent “not in ideas but in things,” Wilhelm’s opening poems argue persuasively that intuitive invention is not so much in things, but in the resonance of things after their moment,

tree after Christmas tree,
put out with the trash,
some still decked in tinsel,
still fragrant with all that is over. (WHEN TOMORROW’S TRUCKS COME)

Perusing the first five poems the reader of the mainstream American poetic confidence has to ask: Where is the song of himself? By WINTER (p. 4) it is Wilhelm’s absence that has become most present. It is the world around him, the poems softly protest, in this early 21st century of aerodynamics subtly suggested in the book of nature by the creatures of the air:

An array of starlings
settles down on the Norway
maple’s snow-dusted branches.
Several birds,
as if by script,
change positions.
Stillness—
then a few more birds
flit to other branches.

Down from the same atmosphere of maneuvered flight, snowflakes are described as “sputtering,” as though from a mechanical sky, a sky that has overextended its patrol and interest:

copper leaves
cling on well
past death.

This intense awareness of things present in their denotation of “all that is over” (over, also “above”) conveys a sense of oppression, typified and announced in CRUMBLED BRICKS AND BROKEN GLASS, where Wilhelm feels “bored to a muted nausea,” more or less bound to follow his father around on a Saturday in an overheated Studebaker, fidgeting in a hardware store, riding along out past an abandoned railroad, places where his father’s memories are stirred, but the child’s are not. The visions are described point blank as seen, ominous in their state of dilapidation:

Rusted rails led past stands of sumac,
a chain link fence devoured by vines,
to an empty factory, its painted logos all but faded
from brick walls.

As if we lived in a super-constructed world already, the poet’s great fear is that demolition and deterioration are all that remain for the future, a ghetto-ization of housing and industrial parks that were erected and used up too fast:

this is all there is, this is all
there will ever be. Crumbled bricks
and broken glass…


The poet is unique in his subtlety of communicating things present, yet liberation of consciousness from the determined Now begins in the imagination, finding its first avenue to something possibly different, some change, in memory, the source of the shift in voice in AWAKENINGS where,

My senses soon whisk me
to my rural boyhood—

and in the rejuvenation of his mind, Wilhelm plays again:

We were soldiers or
Indians or desert island-
survivors. We’d crouch
in bushes, sneak up a hill
then hurl our spears into
a gully of soft wet earth…

The spears the boys hurl into the wet earth, the poet’s primary sense of manhood, only in the prior poem, NONES OF FEBRUARY, Wilhelm had discovered, “a fallen branch, dead but strong,” from which with his penknife he begins to carve out his poems, “smaller branches and knots” and a staff to sustain him walking “like a wandering monk.”
In the space allowed in this article I have touched on only a few poems, to make a point about Wilhelm’s sensibility: it is subtle, careful in the placement of word and line for connotation, and powerful when given a patient appreciation. The death of Christmas and rebirth and awakening to spring is so critical and vital to human survival, and Wilhelm has not failed to acknowledge this wondrous operation, however great the struggle against these birth pangs, however great the obstacle posed by civilization in our day which demonstrates its reliance on aggressive technology rather than on our curious communion with the earth and its plants and creatures, the suggestion of its cycles, so carefully heeded and portrayed in these poems.

We are given Wilhelm’s wide range of acceptance, from the beautiful and hopeful WE’LL GROW NEW FACES, where

If the dream comes again—
Sweet May will scent the air,

to the foreboding visions, in NIGHT OF THE BLOOD RED MOON, of an equilateral moon rising through sunset red, with the poet’s senses overcome by an equally unusual

urgency
from somewhere deep in the blood,
yearned for one I had not yet met.

Well worth reading and rereading, Richard Wilhelm’s Awakenings does the work of piercing through our superficial civilization, relating us to the cycle of our source and mother, the earth and her bearings, using familiar settings and images, set out in simple yet striking language.

Ibbetson Update/ Michael Todd Steffen/ Dec. 2007

Jan 29 2008 Errol Uys 5PM

Errol Lincoln Uys (pronounced ‘Ace’) is the author of the historical novel, Brazil (Simon and Schuster, 1986; New edition, Silver Spring, 2000).

Of this work, distinguished Brazilian critic Wilson Martins wrote: “Uys accomplished what no Brazilian author from José de Alencar to João Ubaldo Ribeiro and Jorge Amado was able to do. He is the first to write our national epic in its entirety. He is the first outsider to see us with total honesty and sympathy. Descriptions like those of the war with Paraguay are unsurpassed in our literature and evoke the great passages of War and Peace.”

Brazil won the highest critical acclaim in the United Kingdom, Germany and France, where it was a bestseller (La Forteresse Verte.) Said Le Figaro: “No one before Uys knew how to bring to life Brazil and her history. Uys’s characters are brilliant and colorful, combining elements of the best swashbuckler with those worthy of deepest reflection. Most stunning is that it took a South African now a naturalized American, to evoke so perfectly the grand but interrupted dream that is Brazil.” L’Express concurred: “A masterpiece! Brazil has the feel of an enchanted virgin forest, a totally new and original world for the reader-explorer to discover.”

Publisher’s Weekly described Brazil as “Pulsing with vigor, this is a vast novel to tell the story of a vast country. The principal characters, both real and imaginary, are hard to forget . . . Uys re-creates history almost entirely ‘at ground level,’ even more densely than Michener.”

Uys has also written the non-fiction book, Riding the Rails: Teenagers on the Move During the Great Depression (TV Books, 1999; Routledge, 2003.) The Boston Globe praised this work as “A riveting document of hope and hardship. The reader can all but hear the cadence of the trains on the tracks and the lonesome wail at every whistle-stop.” Riding the Rails was chosen as one of the “10 Best Books of 1999” by Amazon’s history editor.

Uys is a writer and editor with thirty years’ experience in the United States, England and Africa. He was editor-in-chief of Reader’s Digest in South Africa and senior international editor with the U.S. edition. In 1978, he began a two-year collaboration with James A. Michener that produced The Covenant. He has been a resident of Massachusetts since 1981 and currently lives in Dorchester, Boston.

Jan 8 2008: Poet David Surette

David Surette is a poet from Malden, Massachusetts. His poems reflect the undercurrents of contemporary American life.



David Surette was born July 14, 1957, at the Malden Hospital. He lived in Malden, Massachusetts for thirty-seven years. David attended the Immaculate Conception Grammar School for six years under the watchful eyes of the Sisters of Notre Dame. He finished his school days in the public schools, Beebe Junior High and Malden High, graduating in 1975.

David earned his B.A. in English from Colby College. He wrote and directed his original play Warm Angel senior year and earned the college's drama award.

After graduation, he managed the band Boys Life. He also was the band's chief lyricist, writing with his brother John, the band's singer and guitarist. David wrote the lyrics on the "A" side of their two singles and four of the six songs on their celebrated E.P.

When the band broke up in 1984, David went back to school to earn his teaching certificate and began a 15 year teaching tenure in the Waltham Public Schools.

He continued writing, not lyrics as his brother's own lyrics eclipsed his output, but fiction. He wrote short stories and completed two novels, Today's Special and Mud Season.

Malden is his first chapbook of poetry. He began the book in a summer session of the Boston Writing Project with the goal to finished it by his twenty- fifth high school reunion and the family gathering at Thanksgiving 2000, and then offered it on his website, www.davidsurette.com, in the spring of 2001. He released his second chapbook Muckers, Grinders, Shapers, Hangers, and Huns in 2002 and published over two dozen poems in various journals and magazines and became a regular reader and feature at poetry venues, libraries, schools in New England.

In 2003, he issued his third chapbook Good Shift which included "Forever and Ever" which was nominated for "Best Love Poem" at the Cambridge Poetry Awards.

David also released the single poem chapbook Acadie which was sold at Grande Pré, Nova Scotia to celebrate the 2004 Acadian Reunion.

Koenisha Publications of Michigan published Young Gentlemen's School in August, 2004. The book collects all the poems from David's three chapbooks plus ten new poems. It is available online at www.amazon.com, www.koenisha.com, and at your local bookstore.

Koenisha published David's second book of poetry Easy to Keep, Hard to Keep In in 2007. It is available online at www.amazon.com, www.koenisha.com, and at your local bookstore.

David is the co-host of Poetribe, a poetry group that offers poetry workshops, open mics, featured poets and the occasional poetry slam. They meet every other Saturday at the East Bridgewater Public Library in East Bridgewater, Massachusetts. He teaches English at East Bridgewater High School.

He currently lives in southeastern Massachusetts with his wife and three children. He and the family keep horses and sheep under the watchful eyes of thier border collie Rowdy and Martini, a very opinionated chihuahua.

Dec 4 5PM Poet Robert K. Johnson

My guest Dec 4 at 5PM will be poet Robert K. Johnson author of: From Mist to Shadow:Poems


Robert K. Johnson

From Mist to Shadow:
Poems by Robert K. Johnson

ISBN 978-0-9795313-0-9
80 pages at 12.00 paperback
Ibbetson Street Press http://www.ibbetsonpress.com
25 School Street
Somerville MA 02143

Review by Laurel Johnson

Robert K. Johnson is a poet, writer, retired English professor, and student of life. Between 1975 and 2007, he’s had six collections of poetry and two non-fiction books published, plus been featured in two poetry anthologies. In this latest book, Johnson tenderly transforms the small memories, wonders and sorrows of everyday life into moments brightened and sharpened through his words.

The commonplace turns quietly sinister as Johnson remembers the unexpected suicide of a friend. “Jimmy” recalls the class clown, the day he put his head in the oven after school, and the numbing effect on the poet:

And suddenly all the bushes, trees
and flowers I stared at in our yard
looked different, strange,
as if -- year after year --
they had been hiding something from me.

“Anguish” is a simply stunning poem about a mother lost to dementia, unable to separate reality from hallucination, and the son forced to witness her decline. I cannot do this fine poem justice with an excerpt; it must be read in its entirety.

“Brother of the Prodigal Son” is a long poem that remains true to the biblical version but extracts a bitter truth unspoken in the parable. This poem, also, cannot be adequately honored with an excerpt.

“The Truth About the Past” is another powerful recollection about the father who shared memories of his own revered father’s many talents. A long-lost great aunt shatters those memories with a harsh truth:

…she described my father’s childhood,
starting when he was two
-- the year his father abandoned
his wife and son.

Life is often unpredictable. This excerpt from “On F. Scott Fitzgerald’s ’Babylon Revisited’” shows how forgotten words and acts unexpectedly return to us like bad karma:

-- all can silently arc
over our heads for days,
for blithe or busy years
until the moment they curve
back into our lives as swiftly
as a hawk’s swooping claws
puncture a rabbit’s skin.

Regardless of age, a poet is always a poet. Age settles over us all, but Johnson still sees poetry in the world around him:

…subjects for poems,
like frightened children
seeking shelter,
tug at my mind…

One critic describes Robert K. Johnson as “the poet/laureate of the ordinary moment in time.” He is that and much more. His poetry is quietly powerful and poignant. This collection lives, breathes, and transforms the ordinary through the thoughts and memories of a skilled wordsmith. From Mist to Shadow is a book you’ll want to keep and reread.

-- Laurel Johnson is a reviewer for the Midwest Book Review and other magazines.

"Further Fenway Fiction" Adam Pachter guest Nov. 20 5PM

Adam Pachter is the author of the novel Ash (ISBN 0-89754-192-8) and numerous short stories. Pachter has edited both Fenway Fiction books, and he won the Improper Bostonian magazine's inaugural fiction contest for his story "Lotion." In addition, Pachter's work has appeared in Italy from a Backpack, Boston Metro, and the Word Riot Anthology. Pachter also writes for WGBH, Boston's public television station, and teaches classes on how to write a first novel. He lives in Arlington, MA, with his wife and young daughter, whom he has taught to say "Go Red Sox" and "Coco Crisp."

Tues Nov 6 2007 5PM Nick Mamatas

My Guest Nov. 6 at 5PM will be About the book:
Under My Roof, based on Archanians by Aristophanes, is the story of telepathic tween Herbert Weinberg, whose father Daniel decides to strike a blow for freedom by building a nuclear device, planting it in the lawn jockey in his front yard, and declaring independence from the United States.

The Long Island household is predictably turned upside down. Mother is out, a local weatherman is in, and he becomes both a hostage and Minister of Information. Though troops surround the belligerent ranch house-state, the appeal of independence becomes too much for many. A daring raid to kidnap Herb and bring him back to his mother snatches the boy prince from his ancestral home. Meanwhile, the house is filling up with former American refuseniks. Can the refrigerator hold out?

However, the seed has already been planted. All over America, people are declaring their independence, and simply by traveling from lawn to lawn across "the country", Herbert is able to reunite with his father and defeat American imperialism with a final burst of his telepathic powers.

--------------------------------------------------------------------------------

About the author:
Nick Mamatas is the author of the Civil War ghost story for Marxists, Northern Gothic, and the Lovecraftian Beat road novel for shut-ins, Move Under Ground, which was nominated for both the Bram Stoker and International Horror Guild awards for first novel. His short fiction has appeared in the Mississippi Review, Razor, the German music magazine Spex and a dozen other publications. His reportage and essays have appeared in the Village Voice, The Writer, In These Times and various Disinformation and BenBella Books anthologies. A native New Yorker, Nick now lives near, but not in, Boston.

Under My Roof, based on Archanians by Aristophanes, is the story of telepathic tween Herbert Weinberg, whose father Daniel decides to strike a blow for freedom by building a nuclear device, planting it in the lawn jockey in his front yard, and declaring independence from the United States.

The Long Island household is predictably turned upside down. Mother is out, a local weatherman is in, and he becomes both a hostage and Minister of Information. Though troops surround the belligerent ranch house-state, the appeal of independence becomes too much for many. A daring raid to kidnap Herb and bring him back to his mother snatches the boy prince from his ancestral home. Meanwhile, the house is filling up with former American refuseniks. Can the refrigerator hold out?

However, the seed has already been planted. All over America, people are declaring their independence, and simply by traveling from lawn to lawn across "the country", Herbert is able to reunite with his father and defeat American imperialism with a final burst of his telepathic powers.

--------------------------------------------------------------------------------

About the author:
Nick Mamatas is the author of the Civil War ghost story for Marxists, Northern Gothic, and the Lovecraftian Beat road novel for shut-ins, Move Under Ground, which was nominated for both the Bram Stoker and International Horror Guild awards for first novel. His short fiction has appeared in the Mississippi Review, Razor, the German music magazine Spex and a dozen other publications. His reportage and essays have appeared in the Village Voice, The Writer, In These Times and various Disinformation and BenBella Books anthologies. A native New Yorker, Nick now lives near, but not in, Boston.

Oct 23 Jane Katims 5PM

My guest on Oct 23 will be poet Jane Katims:

Jane Katims is the author and co-producer of six radio series for Wisconsin Public Radio, one earning her a George Foster Peabody Award in Broadcasting. Her series include: The Author is You, Book Trails, Worlds of Art, Wisconsin on the Move, Listening to My Feelings, and Through My Senses. She has written radio documentaries for WEN, WGBH, WBUR, and WCAS (Everybody Do What You're Doing, My Bike Got Swiped, Health Care -- Person to Person, Jack Tale Interview, The Toby Story, Birth Control -- What Choices? What to Do With My Life, Women and Music, and others).

In 2004, she was awarded a John Woods Scholarship in Fiction Writing (Western Michigan University) which entitled her to attend the Prague Summer Seminars. She is presently working on a collection of short stories, Getting the Gals Going, and a novel, Until Now and has completed a poetry collection, Dancing on a Slippery Floor..

Jane Katims earned her BA at the University of Wisconsin and her M.Ed at Lesley University. She presently teaches contemporary literature and creative writing at The Cambridge Center for Adult Education and at Tufts Institute for Lifelong Learning at Tufts University. In addition, she leads private writing workshops in poetry, memoir, and fiction writing. She has previously taught at Middlesex Community College; Buckingham, Browne and Nichols; and The Boston Graduate School of Psychoanalysis.

Jane Katims is a member the Board of Visitors of the English Department of the University of Wisconsin-Madison. She lives with her family near Boston, Massachusetts.

Oct 2 Abbott Ikeler author"Outposts"

Abbott Ikeler is the author of the poetry collection "Outposts" ( Ibbetson 2007)

B.A., Harvard University; M.A., University of Pittsburgh; Ph.D., University of London, Kings College

Abbott Ikeler taught literature and writing at Bowdoin College, the University of Muenster, and Rhode Island College before entering the corporate world. His academic achievements include a Senior Fulbright Fellowship, a book on nineteenth-century aesthetics, and numerous articles on Victorian fiction. From the mid-eighties to 2001, he held public relations and advertising positions with three multinationals and a full-service agency. Immediately before coming to Emerson College ( Boston), Dr. Ikeler was Director of Communications and Public affairs for the Internet and Networking Division of Motorola, a post he held for three years. The focus of his current research is global public relations, especially the impact of non-media influencers, such as industry and financial analysts.

He writes poetry, memoirs and literary criticism, including a book published by Ohio State University Press on Thomas Carlyle, Puritan Temper and Transcendental Faith, and numerous articles on Dickens and Trollope. His poems have been published in The Concrete Wolf, The Somerville News, Dream International Quarterly, and Bagelbards Anthology, No. 2. A sample poem follows below.






Epiphanies



They happen on a subway platform
in the midst of mild debate,
hardly heated, on the merits of a film.
Or between courses at a restaurant
unrated by Michelin
over the indiscretions of a distant friend.
An old incompatibility
of taste or moral vision gathers
in an unremarkable moment in a quite prosaic spot
to a settled recognition on one side or the other
of a wall that can’t be climbed.
The rest—days or decades—is merest epilogue.




--Abbott Ikeler

Sept 25 Rusty Barnes cofounder of "Night Train" magazine

Sept 18 5PM

Rusty Barnes grew up in rural northern Appalachia. He received his B.A. from Mansfield University of Pennsylvania and his M.F.A. from Emerson College. His fiction, poetry and non-fiction have appeared in many journals. After editing fiction for the Beacon Street Review (now Redivider) and Zoetrope All-Story Extra, he co-founded Night Train, a recently reinvented literary journal, which has been featured in the Boston Globe, The New York Times, and on National Public Radio. Sunnyoutside Press will be publishing a chapbook of his flash fiction sometime in 2007. If you want to know more, check these links to an interview conducted by Wayne Yang of Eight Diagrams: Part I, Part II, Part III. Or, friend him--I mean, uh, me--at MySpace.

Sept 4, 2007 5PM Sidewalk Sam

My guest will be noted street artist and arts activist Side Walk Sam. Sam will be talking about the Sept 15th celebration of Stone Soup Poets founder Jack Powers 70th birthday that he is helping to organize.


Robert Guillemin is "Sidewalk Sam," the popular artist dedicated to creating art at the feet of pedestrians to inspire, promote spirit, enrich daily life, and address social issues. Sidewalk Sam has been called the "Johnny Appleseed of Art" and a "Pavement Picasso". He has been featured on the "Today Show", "Good Morning America", "Evening Magazine" and "Real People" and in hundreds of newspaper articles from coast to coast. He takes arts to the streets with charm and expertise that has thrilled millions of people for nearly forty years.

Through a magical blend of community art initiatives, broad-based participatory events and an unfailing joyful spirit, he organizes citizens, government agencies, cultural organizations, schools and corporations to work together for a common cause.

After studying at Boston College and receiving a bachelor’s and master’s degree in painting from Boston University, Robert followed a traditional path to becoming a successful artist. He had many commissions and exhibits, including one-man shows at Boston’s Institute of Contemporary Art and the Rose Art Museum of Brandeis University, but the structure of the art scene was not a good fit for the artist he was becoming. He believed that art’s focus on a small, elite audience caused it to turn its back on society at large. He realized that "art for art’s sake" was not the same as "art for people’s sake."

Sidewalk Sam was born when Robert stepped outside of traditional art venues and took his talents and enthusiasm to the streets. Choosing "Sidewalk Sam" as a nickname and using skills he had sharpened while a copyist at the Louvre Museum in Paris, he began to reproduce beloved masterpiece paintings on the sidewalks of Boston. "By staying in museums, galleries and the halls of academe, I felt I was missing the human experience. So I chose to bring art to the street and into daily life. I love crouching on the sidewalk, kneeling at the feet of people and having art look up to us for a change. I want art to serve people as a natural part of everyday life. I think art should bring people closer to each other and inspire people to a better vision of society."

Sidewalk Sam makes a connection with the public. They gather on street corners to watch him chalk on the ground. His art is in perfect harmony with the pedestrian experience - a polite, social event in the streets of our cities where there is often a need for civility. Using the streets as a canvas, Sidewalk Sam has rallied people around solutions to social problems, addressing issues like poverty, diversity, children and family and the environment. Now in a wheelchair, Sidewalk Sam still thinks big. He organizes large events where lots of people come together and create big artworks to show their common spirit. “I love to get people involved with each other", he says. "Art can bring society together.” He adds, “Everything in modern life is so depersonalized - I’m just trying to personalize it a little.”