Christopher Busa, founder and editor of Provincetown Arts magazine, was born in New York City in 1946, the son of a painter who participated in the formative years of Abstract Expressionism. Spending part of every year in Provincetown since infancy, he slowly absorbed its mythology as a place where artists and writers gather to work and live. After graduation from the University of Minnesota, he studied for a year in Paris at the Sorbonne, and then pursued a Ph.D. for ten years while teaching English at Rutgers University. His interviews and profiles of artists and writers have appeared in the Paris Review, Arts, Partisan Review, Garden Design, and other magazines. Two published pieces were reprinted in Interviews and Encounters with Stanley Kunitz, edited by Stanley Moss (Sheep Meadow Press). Another essay, “Being a Great Man Is a Thesis Invented by Others,” appeared in Such Desperate Joy: Imagining Jackson Pollock (Thunder’s Mouth Press). He has curated exhibitions and written catalog introductions for many artists. He co-edited and introduced the Erotic Works of D.H. Lawrence (Crown, 1989), the subject of his dissertation. He is the author of The Provincetown Artists Cookbook, with Written Sketches of the Artists Creating a Contemporary Portrait of the Town as an Art Colony (Abingdon, 1988).Over the past 20 years he has taped several hundred interviews and created files on over 1000 artists and writers in preparation for a comprehensive title about the century-long history of the art colony. His WOMR FM 92.1 radio program, “ArtTalk,” airs three times a month over the past five years, introducing new and established artists, performers, and writers discussing their current project and what moves them to do it.He is a member of the International Association of Art Critics (AICA), based in Paris, and he is one of 16 members of the American New England Chapter, which selects two dozen “Best of” exhibitions annually in museums, commercial galleries, and university art galleries in painting, sculpture, and architecture. He is on the board of the Norman Mailer Society and on the editorial board of the Mailer Review,published by the Society and by the University of South Florida. He teaches one semester a year in the low-residency Graduate Program in Creative Writing at Wilkes University in Pennsylvania.