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| Kathleen Spivack |
KATHLEEN SPIVACK is an award-winning writer. She studied with
Robert Lowell and remained friends with him for eighteen years, and is
the author of many books, among them
Moments of Past Happiness, A History of Yearning, and
With Robert Lowell and His Circle. She
has had residencies at the Radcliffe Institute, Yaddo, The MacDowell
Colony, and the American Academy in Rome, and has been the recipient of
grants from the National Endowment for the Arts and the Fulbright
Commission. She teaches in Boston and Paris.
Unspeakable Things
A novel
About the Book:
A wild, erotic novel—a daring debut—from the much-admired, award-winning poet, author of Flying Inland, A History of Yearning, and With Robert Lowell and His Circle: Sylvia Plath, Anne Sexton, Elizabeth Bishop, Stanley Kunitz, and Others.
A strange, haunting novel about survival and love in all its forms;
about sexual awakenings and dark secrets; about European refugee
intellectuals who have fled Hitler’s armies with their dreams intact and
who have come to an elusive new (American) “can do, will do” world they
cannot seem to find. A novel steeped in surreal storytelling and
beautiful music that transports its half-broken souls—and us—to another
realm of the senses.
The setting: the early 1940s, New York—city of refuge, city of hope, with the specter of a red-hot Europe at war.
At
the novel’s center: Anna (known as the Rat), an exotic Hungarian
countess with the face of an angel, beautiful eyes, and a seraphic
smile, with a passionate intelligence, an exquisite ugliness, and the
power to enchant . . . Her second cousin Herbert, a former minor
Austrian civil servant who believes in Esperanto and the international
rights of man, wheeling and dealing in New York, powerful in the social
sphere yet under the thumb of his wife, Adeline . . . Michael, their
missing homosexual son . . . Felix, a German pediatrician who dabbles in
genetic engineering, practicing from his Upper East Side office with
his little dachshund, Schatzie, by his side . . . The Tolstoi String
Quartet, four men and their instruments, who for twenty years lived as
one, playing the great concert halls of Europe, escaping to New York
with their money sewn into the silk linings of their instrument cases . .
.
And watching them all: Herbert’s eight-year-old granddaughter,
Maria, who understands from the furtive fear of her mother, and the
huddled penury of their lives, and the sense of being in hiding, even in
New York, that life is a test of courage and silence, Maria witnessing
the family’s strange comings and goings, being regaled at night, when
most are asleep, with the intoxicating, thrilling stories of their
secret pasts . . . of lives lived in Saint Petersburg . . . of husbands
being sent to the front and large, dangerous debts owed to the Tsar of
imperial Russia, of late-night visits by coach to the palace of the
Romanovs to beg for mercy and avoid execution . . . and at the heart of
the stories, told through the long nights with no dawn in sight, the
strange, electrifying tale of a pact made in desperation with the
private adviser to the Tsar and Tsarina—the mystic faith healer Grigory
Rasputin (Russian for “debauched one”), a pact of “companionship”
between Anna (the Rat) and the scheming Siberian peasant–turned–holy
man, called the Devil by some, the self-proclaimed “only true Christ,”
meeting night after night in Rasputin’s apartments, and the
spellbinding, unspeakable things done there in the name of penance and
pleasure . . .
