May 26 2009 Poet Wendy Mnookin

May 26 2009 5PM Poet Wendy Mnookin:



"I am a poet living in Newton, Massachusetts. I received my BA from Radcliffe College and my MFA in Writing from Vermont College. My latest book, THE MOON MAKES ITS OWN PLEA was published by BOA Editions in 2008. My other collections are WHAT HE TOOK, TO GET HERE, and GUENEVER SPEAKS.

I teach poetry at Emerson College in Boston and at Grub Street, a non-profit Boston writing center. I have taught poetry at Boston College, to children in schools throughout the Boston area, and in workshops around the country.

In THE MOON MAKES ITS OWN PLEA I explore the idea of self and how that self is strengthened and abraded by relationships. The poems coalesce around the condition of mortality--not a specific death, although these also occur, but the state of being mortal.

In WHAT HE TOOK I revisit the death of my father in a car accident when I was two. I move from the accident itself to my efforts to understand the loss and how it has shaped my adult life.

TO GET HERE explores loss of a different kind: the inability to save those we love. In this book, I look at our family's struggle to come to terms with my son's drug addiction.

GUENEVER SPEAKS is a cycle of persona poems about the woman at the center of the Arthurian legend. Malory's MORTE D'ARTHUR leaves much unsaid about Guenever, whose voice speaks in these poems.

My poems have been published in journals, online publications, and anthologies. New work appears in The Greensboro Review, the Harvard Review, Pool, Prairie Schooner, and Runes.

My poems have won prizes from various journals, including The Comstock Review, The Kansas Quarterly and New Millennium Writings. I received an NEA Fellowship in Poetry, and WHAT HE TOOK won the 2002 Sheila Motton Award from the New England Poetry Club."

May 19 Poet Jeffrey Thomson

Jeffrey Thomson is the author of four books of poems, including Birdwatching in Wartime (Carnegie Mellon 2009) and Renovation (Carnegie Mellon 2005). Also forthcoming is a an anthology of emerging poets: From the Fishouse: An Anthology of Poems that Sing, Rhyme, Resound, Syncopate, Alliterate, and Just Plain Sound Great co-edited with Camille Dungy and Matt O’Donnell (Persea Books, 2009). He has won fellowships from the National Endowment for the Arts, the Pennsylvania Arts Commission, and, most recently, was named the 2008 Individual Arts Fellow in the Literary Arts by the Maine Arts Commission. He is an associate professor of creative writing at the University of Maine Farmington. His website is www.jeffreythomson.com.

May 12 2009 An Sokolovska : Social Scientist/Activist/Writer

May 12 2009


My guest will be An Sokolvska. I meet many interesting people from my perch at the Sherman Cafe in Union Square in Somerville. One such person is An Sokolvska. An is a social scientist, trained at Boston University and Brandeis University. She has taught at Brandeis University and other area institutions. An has posed and written about some interesting questions. The one that caught my interest while we munched on our scones and read our morning New York Times was: "Why do men and women have difficulties with each other?" Though this is simply put the question is hardly facile. Literature has certainly addressed this burning question over the years. We will touch on these and other issues on Poet to Poet.

Poet Philip Burnham, Jr. April 28 2009

April 28, 2009


Philip Burnham, Jr.


My poetry captures ordinary and extraordinary moments: history from the perspective of a teacher-scholar and traveler; the poignancy of family life; growth, loss, and remembrance; the mysteries of the universe; the seasonal transformations of the natural world around us and the wonder of new love.

I have published three books of poetry, My Neighbor Adam (2003), Sailing from Boston (2003), and Housekeeping (2005). A fourth book, A Careful Scattering, will be published in 2007. My poems have appeared in various magazines and journals such as Margie, Lyric, and Atlanta Review.

In addition to the Porter Square Bookstore I have given readings at Passim, Fireside at Cambridge Cohousing, Wordsworth in Cambridge, Borders in Boston, and the Forsyth Chapel at Forest Hills.
--------------------------------------------------------------------------------

Night Watch, Amsterdam
A stroopwafel moon
Wafer in the mouth
Of the night, a white
Ruff collar of lace
On a black gowned sky,
A searchlight dancing
In the Prinsengracht,
An "O"pening to
Evade the SS
At two a.m as
The moon pauses on
Westerkerk steeple,
An inverted point
Of exclamation,
Of rendezvous for
The ghosts of Rembrandt
Van Rijn and Anne Frank.
What will the warty
Moon-faced old man say
To Abraham's child?
Have we both survived
In our self-portraits?
Curiosity
Grows queues of tourists
Climbing the steep stairs
Within our buildings,
Will they wonder at
This moon, as round as
June, bells from the kerk
That chime the silence
With their rhymes as we
Assume our night watch?

- Philip E. Burnham, Jr.

Poet and bon vivant Steve Glines April 14 2009 5PM

My guest:

April 14, 2009: Steve Glines, in addition to being the editor of Wilderness House Literary Review, is an essayist, journalist, storyteller, occasional poet and bon vivant. His motto is, “The best is barely good enough.” Steve has published six books, only one of which might be considered even remotely “literary,” a travelogue about Fiji. He has been published in Ibbetson Review, the Belmont Citizen, the Littleton Independent, Unix Review, Technology Review and the Boston Globe among others. He has never been published in the Paris Review, the AntiochReview, Crazyhorse, The Atlantic Monthly and the Kenyon Review. To these awesome credentials it should be added that he has never received a McArthur Award nor been nominated for a Pulitzer Prize. Still, for some reason, people like what he writes and, on occasion, even pay him for it.

April 2, 2009: Special Feature! / Doo Wop to Hip Hop : Conversation between Afaa Michael Weaver and Major Jackson

April 2, 7PM



Doo Wop to Hip Hop ( A special production of "Poet to Poet Writer to Writer")



An Evening of Conversation with poets

Major Jackson and Afaa Michael Weaver


Moderator

Gloria Mindock, Editor and Publisher
Cervana Barva Press


Major Jackson
Associate Professor
University of Vermont


Afaa Michael Weaver
Alumnae Professor of English
Simmons College


Producer
Doug Holder
"Poet to Poet: Writer to Writer"
Ibbetson Press
The Somerville News



( Major Jackson)

( Afaa Michael Weaver)





Renowned African American poets Afaa Michael Weaver and Major Jackson to be filmed in Somerville, Mass.




Renowned African American poets Afaa Michael Weaver and Major Jackson to be in a filmed public discussion at Somerville Community Access TV.

( Somerville, Mass.)

The Somerville Community Access TV Show: “Poet to Poet: Writer to Writer” poettopoetwritertowriter.blogspot.com will sponsor a public discussion featuring renowned African American poets Afaa Michael Weaver and Major Jackson on April 2, 2009 7PM ( Poetry Month).

Somerville poet Afaa Michael Weaver has won the prestigious PUSHCART PRIZE (2008) for his poem “American Income,” published in POETRY magazine and in his collection "Plum Flower Dance" ( U/Pitt Press.)

Henry Louis Gates, historian and professor at Harvard University writes of Weaver:

"Afaa Michael Weaver is one of the most significant poets writing today. With its blend of Chinese spiritualism and American groundedness, his poetry presents the reader (and the listener, for his body of work is meant to be read aloud) with challenging questions about identity, about how physicality and spirit act together or counteract each other to shape who we are in the world. His attention to the way language works is rare, and the effects of that attention on his poetry are distinctive and expansive."




Major Jackson is the author of two collections of poetry: Hoops (Norton: 2006) and Leaving Saturn (University of Georgia: 2002), winner of the 2000 Cave Canem Poetry Prize and finalist for a National Book Critics Circle Award. Hoops was a finalist for an NAACP Image Award in the category of Outstanding Literature - Poetry. He has received critical attention in The Boston Globe, Christian Science Monitor, Parnassus, Philadelphia Inquirer, and on National Public Radio's 'All Things Considered.' His poems have appeared in the American Poetry Review, Boulevard, Callaloo, The New Yorker, Post Road, Poetry, Triquarterly, among other literary journals and anthologies. He is a recipient of a Whiting Writers' Award and has been honored by the Pew Fellowship in the Arts and the Witter Bynner Foundation in conjunction with the Library of Congress. Last year, he served as a creative arts fellow at the Radcliffe Institute for Advanced Study at Harvard University and as the Jack Kerouac Writer-in-Residence at University of Massachusetts-Lowell. Major Jackson is an Associate Professor of English at University of Vermont and a core faculty member of the Bennington Writing Seminars.





In a public chat in the SCAT television studios in Somerville, titled "Two Generations of Black Male Poets, moderated by Gloria Mindock,these two poets share the experience of their lives as blackmen who came of age in large American cities: Baltimore and Philadelphia.

They will discuss the music, visual art, and literature that were influential in their times, from The Temptations to Grandmaster Flash and Chuck D, from Ron Milnerto Susan Lori Parks, and more. They will share intimate moments in their lives and some of their own work as well as that of poets they know and admire in an evening setting in the burgeoning artistic community north of Cambridge to be recorded in front of the live audience. The program's producer is Doug Holder, the host of "Poet to Poet: Writer to Writer" an interview show that airs on SCAT every Tuesday afternoon.

March 10 Tim Devin founder of " i left this here for you to read"

March 10 5PM Tim Devin "i left this here for you to read"






"i left this here for you to read"
About this magazine
Each month or so, we release a new issue of "i left this here for you to read." We then leave them in public places (such as on park benches, on buses, in airports and dentists' offices...) for anyone to take--free of charge.
So far , we've distributed our magazine in about 35 cities in the US and Canada. We only print about 50 copies of each issue, and don't reprint any past issues. Sorry, we can't mail you any copies--we only send them to contributors.

This project was started by Tim Devin, but now involves more than 100 people. Click here to see who's a part of it.

Email us at i.left.this.here@gmail.com

We also have a facebook group page, if you're interested in that sort of thing.

Tim is also the founder of "the history of somerville 2010-2100" find out more about this unusual guy!

March 3, 2009: Novelist Paul Stone

My Guest will be Paul Stone author of "Or So It Seems"



On The Road To Writing My Novel



For twelve years I was engaged in a solitary process that resulted in the publication of my first novel, “Or So It Seems”. Now, less than a year after its publication, I’m out in the world introducing this book to legions of total strangers.

Funny how the universe spins its web.

When I began writing the novel, I was lost and confused and not at all interested in writing a spiritually framed novel. My marriage had broken up, I was bitter and angry, and struggling to construct a life as a single parent of three wonderful but highly vulnerable children. And so, not surprisingly, the novel that took shape was bitter, angry and focused mainly on blame and payback.

But a funny thing happened on the road to payback.

As many of you know, we are each of us walking two paths on our life’s journey. On the first path we encounter our day-to-day struggles, our deeply held desires, our careers, our family lives, our likes, dislikes, quirks and ambitions. The second path, which you could call our spiritual journey, takes us on a much longer and far more obscure expedition. I’ll leave it to someone more knowledgeable than me to explain where that journey originates or where it is taking us, but its main characteristic is that it calls to and enlivens our deepest and truest selves.

Well, without over-stretching the comparison, this novel of mine, “Or So It Seems”, also traveled two roads in its journey to fullness, publication and, yes, self-discovery.

The point of divergence, where one road ended and another began, occurred after seven years. Truth is, I thought I had finished the novel, thought it was done. But after reviewing it, an agent suggested it needed more narrative tension. If I’m honest, it was a well-written, essentially dull tale of a man putting his life together again after divorce. I understood what the agent meant and sat down to create some suspense and tension by reordering a few elements in the plot.

A funny thing happened when I sat down at my computer, however.

The moment I started my rewrite, it was as if a voice sounded inside my head, telling me “Now you are going to write the novel you were supposed to write.” And then began another spiritual journey. Suddenly this kaleidoscope of new ideas, themes and characters started populating my simple storyline; as if by magic, my tale of one man’s divorce became a complex and humorous metaphor for everyman’s spiritual odyssey. Suddenly, my straightforward, linearly-told story became a rich, multilayered plot. And if you think I was excited or pleased, you’re not even close. I was scared to death. Had all that work, I worried—over seven years worth—been for nothing? It was frightening to think of revisiting my novel at that late date, but then again, some of those new ideas, characters and themes were so interesting, so playful, and so much more relevant to my life’s journey than anything I had written before…

Well, as it turned out, the new elements blended beautifully with the old and eventually, five years later, I found myself the author of a multi-leveled, humorous, surprisingly charming and intensely compelling novel. What one reviewer called, “A Rollicking Spiritual Page-Turner.” What I describe as ‘part odyssey, part oddball adventure and totally fantastic.’

If there’s a theme to “Or So It Seems” it clearly relates to perceptions of reality. How we’re so often distracted by what we see as the drama of our lives, that we rarely notice how that drama fits into our larger spiritual journey. Much the way I, in starting a novel about my divorce, failed to see that I had really begun a voyage of discovery, a journey that would lead towards something much larger and far more interesting than the tale of angst, bitterness and blame that had originally inspired me.

Or so it seems.

My Guest: Feb 17 Poet Rebecca Schumejda 5PM

My Guest: Feb 17 Poet Rebecca Schumejda









"Currently, I live in New York's scenic Hudson Valley with my husband and our daughter. I write and teach English and US History at an alternative high school. I was born and raised on Long Island. I moved around, but ended up back in New York, this time landlocked, my view mountains instead of waves. I received my BA in English from SUNY New Paltz and my MA in Poetics and Creative Writing from San Francisco State University.

My poetry has appeared here and there over the years. My new collection Falling Forward is upcoming from sunnyoutside press. In addition, sunnyoustide published my chapbook Dream Big, Work Harder in November of 2006 and my poem "Logic" on a postcard. In 2001, Green Bean Press published my chapbook The Tear Duct of The Storm. What seems to be a lifetime ago, I co-edited a small press zine, reuben's kincaid. "

Feb 10, 2009--- Poet Elizabeth Kirschner

Poet, lyricist, I have published three volumes of poetry, Twenty Colors, Postal Routes and Slow Risen Among the Smoke Trees, all with Carnegie-Mellon University Press. My chapbook, The Red Dragon, was published by Permafrost, and My Life as a Doll was published by Autumn House Press.

As a lyricist, I have collaborated with many composers both here and abroad. Most notably, I set my own poetry, not a translation, to Robert Schumann’s Dichterliebe. Now titled The Dichterliebe in Four Seasons it had its world premiere in Vienna in fall ’05 followed by an American debut here in Boston. A CD of this music featuring soprano Jean Danton and pianist Thomas Stumpf was released from Albany Records in Spring ’07. The Dichterliebe in Four Seasons has been published by Musik Fabrik. A score can be ordered at http://www.classicalmusicnow.com/Kirschner.html.

I have taught at prominent universities including Carnegie Mellon University, Boston Universities and most recently at Boston College, where I taught in varying degree from 1990-2007

In the mid through late 80's, I worked at schools, K-12, all over New Hampshire through the Arts-in-Education program. I also presented residencies through Very Special Arts.

All my books and the CD are available at www.amazon.com

Feb 3, 2009 Molly Lynn Watt

MOLLY LYNN WATT worked for 45 years with schools for better education and with communities organizing for peace, justice, and civil rights. She retired a few years ago to devote full time to writing. She curates the Fireside Reading and is the poetry editor of HILR Review and three anthologies of Bagels with the Bards. With her husband, she co-created and performs George & Ruth: Songs and Letters of the Spanish Civil War, live and on CD. Ibbetson Street Press published her book of poems, Shadow People, in 2007. Her work appears The Boston Globe, Chicken Soup, Domestic Affairs, Eclipse, Fulcrum, G.W. Review, Hampden-Sydney Review, Occasional Moose, Peaceworks, The 2008 Poets' Guide To New Hampshire, Red Wheelbarrow Literary Magazine, South Carolina Review, Spare Change, Teachers & Writers Collaborative, Westview, Best of Wilderness House Literary Review, Wisconsin Review, Willard & Maple, and others.

Jan 13, 2009 5PM Biker Poet, editor, activist, Jose Gouveia

(Jose Gouveia Front)



Biker poets
New book collects best of “Biker Poetry”


Jan 13, 2009 5PM Biker Poet, editor, activist, Jose Gouveia


Rubber Side Down. Edited by Joe Gouveia, Peddlar Bridges, and Susan Buck. (Archer Books PO BOX 1254 Santa Monica, CA. 93456) $16.

Did you know there is a Biker Poet movement? Bikers are not only Hell's Angels with leather and nefarious intent, but poets, on the road, burning rubber, and spouting odes to the endless highway. Joe Gouveia, poet, motorcycle enthusiast, and new head of the “Highway Poets Motor Cycle Club” had the good sense to edit an anthology of Biker bards. The poetry club, founded by Colorado T. Sky, boasts many fine poets in their ranks. Allen Ginsberg commented on the concept of “Biker Poets”(according to a history included in the anthology):

“The Highway Poets could be, for their generation, what the Beat Poets were for ours.” And for this lively subculture of poets this could indeed be the case.

The title “Rubber Side Down,” according to an essay in the book by Martin Jack Rosenblum means to ride safely, and “we shall meet again at the next café for coffee or swap meet for spare parts-if we have kept it down safely.” To the biker, cars are cages, vehicles of conformity.

Rosenblum defines Biker poetry, or at least the Biker poetry presented in this book:
“The poetry in this book is written by folks who are outside the cultural safety zone. Some ignore technique, some deplore it, some explore it beyond where workshop academics would confine it and some take a breather from the understood confines of a literary canon sensibility to gather a better voice because of a crazy, two-wheeled power drift into experiential reverie.”

I was pleased to see a number of poets that I know and have published appear on these pages including: Linda Lerner, K. Peddlar Bridges, and Marc Goldfinger.

Goldfinger has an intriguing prose poem “The State Trooper & The Biker Get Tested.” It involves his offbeat encounter with an offbeat State Trooper while riding his late wife's bike.

Naturally, many of the poets in this collection write of the vehicle of transcendence, the motorcycle. The beloved bike provides them with freedom from the grind of everyday. In her poem “It's Okay,” Susie Howard portrays the road as a trip that flies in the face of convention:

“But the road is free of that
It is the steady air against the skin
whipping hair and clothes
and flawed thinking from my mind
with the steady hum of opposing carburetors
passing by dinosaur Buicks
traveling to destinations of work,
lifestyle, maintenance, drone hood
while I follow no map but that of whim
and its steady song of
It's okay.
It's okay.
It's okay.”

And Diane Wakoski in the “The Desert Motorcyclist” explains why it is better to ride a motorcycle than a man:

“Now I run away
to my dry desert,
the place where there is enough space
for my imagination
and nothing to drown it.

Desert motorcyclist:
that is me.
And it is the man,
never the machine
who betrays me.”

If you never have been exposed to this genre, then get a strong grip, plant your rear on a leather hide, hear those cylinders roar, and take a ride.

Jan 6, 2009: Poet, Vocalist, Journalist: Lo Galluccio

My Guest on Jan 6, 2009 at 5PM Lo Galluccio:



With Lo Galluccio it is a "coup de foudre". You're reading something like:

"...Accept kisses of water in light" and there's no help because she's hit

the mark and you wish what she writes again would reveal everything

else. Yet you don't know how much that fight will can be dangerous to you,

really like a boxer until fatal k.o.: Lo, the girl from Boston, hides other

concentric fires which your unbridled imagination already foresaw by certain

words caught in a poem entitled Bloom the River. Words like islands of

introspection, densities, intimates: "Oh sky. Shadows of these days cut

looping my hair against his wall. My profile's smoke." (from Blasphemy).

Pulsating, vibrant, throbbing verses included in a collection of poems called

Hot Rain, published by Singing Bone/Ibbetson Street Press in 2004 that first

emerged from the soul of a woman with multiple qualities of actress, poet,

singer and musician.



Roy Nathanson, already saxophone player in the legendary Lounge Lizards

and then leader of the Jazz Passengers, indeed targeted her through those

poems beginning a fruitful collaboration (she appeared in 1994 on their

In Love) until exordium in 1997 - under her own name - on renowned

Knitting Factory label, she produced the astonishing Being Visited followed

(2003) by a self-release production entitled Spell on You, further nine tracks

of uncommon and burning intensity.



Poetry can be "possession" and Lo seems "possessed by Poetry: strenght,

urgency, fury of written word. She breaks her mirror and you try to gather

some fragment of yourself into them, discovering, little by little, the soul who

those verses of flesh and blood has embodied.

Tortuoses, dramatics and also obscure verses, disseminated by pitfalls and

precipices. Words chosen with care by her, sometimes hard and pointed inside

a sensual and ethereal texture at the same time, modern and antique, part of

the world and yet distant from it, unforeseen, surprising, sounding like an

unusual gesture during a meeting with someone.



Lo Galluccio' s poetry is authentic passion, sincere, true,on the path traced by

Robert Lowell and John Berryman, voices of the "confessional poetry" and as

two symbols of womanly American poetry named Sylvia Plath and Anne Sexton

(or the less know - at least in Italy - Diane Di Prima, Diane Wakoski and Denise

Levertov) but also elegant and intriguing like an Antonia S. Byatt's page.



While you're writing about this, her voice has already contaminated you like a

virus, with no help of healing, her mesmerizing voice-presence blending sounds

in your mind evoking different atmospheres between the subliminal jazz of

Ctramsplit, Back Porch or Let Em Think My Wings Iz Broke with obliquity, sinuose

recitatives, transparencies, harshness, melancholy, that you have loved in Rickie

Lee Jones or Patti Smith and maybe in that Lydia Lunch noir's touch but Lo rebuild

"ex novo", shaped to herself , to her own soul, soaked by genuine pathos, splendidly

unveiled in the shadings of These Diamonds Are My Very.

Yes, jazz above all, but also blues and also a charming cover of Sinatra's Fly Me to

the Moon or an unexpected Que Sera Sera, from a groove to the other, giving us

whole herself.



But a simple sigh could be sufficient to her, ever singing - one more time - :

Will you love me like Leda's Swan ? Can you love me like Leda's Swan ?


* Lo has a new memoir out "Sarasota Vll" ( Cervena Barva Press. )

Dec 23, 2008 5PM Marguerite Bouvard

Dec 23, 2008 5PM: Poet, writer Marguerite Bouvard


Current Project

Marguerite is currently writing a book, Mothers in All But Name. It will focus on a much neglected topic, grandmothers, aunts, sisters, friends and strangers who have acted as mothers.

Biography

Marguerite Bouvard was for many years a professor of Political Science at Regis College and a director of poetry workshops. She is multidisciplinary and has published 15 books, numerous articles in the fields of political science, psychology, literature and poetry. Both her poetry and essays have been widely anthologized. She has received fellowships at the Radcliffe Institute, the Wellesley College Center for Research on Women and from the Puffin Foundation. She has been a writer in residence at the University of Maryland and has had residencies at the MacDowell Colony the Yaddo Foundation, the Djerassi Foundation, the Leighton Artists’ colony at the Banff Centre for the Performing Arts, and the Virginia Center for the Creative Arts.

Marguerite’s activities as a Resident Scholar include organizing the first Tillie K. Lubin Symposium, as well as sponsoring lecture series on women and human rights and on environmental racism. Marguerite was also a founding editor of the All Sides of Ourselves publication series. She continues to organize panels for Women’s History Month and has had two collaborative exhibits at the Dreitzer Gallery and one at the gallery in the Women’ Studies Research Center.

Dec. 9, 2008: Barbara Helfgott Hyett

BARBARA HELFGOTT-HYETT


Poet, professor and public lecturer, Barbara Helfgott-Hyett has published four collections of poetry: In Evidence: Poems of the Liberation of Nazi Concentration Camps (University of Pittsburgh Press: 1986), based on her interviews with U.S. GI's, was selected Booklist's "Editor's Choice." Her second collection, Natural Law (Northland Press, 1989) includes poems about the history of Atlantic City, and was the first in the Salt River poetry series. The Double Reckoning of Christopher Columbus (University of Illinois Press: 1992), an epic poem on the 1492 voyage of the Columbian expedition, was nominated for the Pulitzer Prize. The Tracks We Leave: Poems on Endangered Wildlife of North America, (University of Illinois Press:1996). Her new collection, Rift, is just out from University of Arkansas Press. Her poems and essays have appeared in dozens of magazines including The New Republic, The Nation, Hudson Review, Massachusetts Review, Agni, Ploughshares, The Women's Review of Books, and in twenty-five anthologies. Recipient of two Massachusetts Artists Fellowships in Poetry, the New England Poetry Club's Gertrude Warren Prize, the Herman Melville Commemorative Poetry Prize, Fellowships at Yaddo, the Wurlitzer Foundation, and Virginia Center for Creative Arts, and other grants and awards, she has taught English at Harvard, MIT, and Boston University where she won the Sproat Award For Excellence in Teaching. She is a co-founder of The Writer's Room of Boston, Inc, and Directs POEMWORKS: The Workshop for Publishing Poets, in Brookline, MA.

NOV 18, 2008: Boston Poet Laureate--Sam Cornish

Nov. 18 5PM my guest will be Boston Poet Laureate Sam Cornish:





Boston's poet laureate of the people
For Sam Cornish, sharing is the key
By Tania deLuzuriaga, Globe Staff | January 20, 2008

Back in the 1960s, poet Sam Cornish used to wander the streets of Boston with long hair and bare feet. Though he's a bit more distinguished looking today, in thick glasses and often sporting a jacket and tie, his free-spirited nature endures.

"I'm not a snob," said Cornish, named last week as the city's first poet laureate. "I like Rachel Ray and westerns, I collect comic books. I don't mind getting drunk on occasion, not intentionally, but because I like whiskey."

Mayor Thomas M. Menino announced Tuesday that Cornish, a former Emerson College literature professor, would be the first to fill a post the city has never had before.

"He has not just a great literary background, but a real commitment to promoting poetry across the city," said Alice Hennessey, who oversees special projects for the city, including the poet laureate selection committee.

City officials see Cornish as a poet of the people, someone who will reach across racial and socioeconomic lines to promote literacy through poetry.

After moving into his office at the Boston Public Library, Cornish's first duties will include organizing a poetry workshop for teens and putting together an event for Black History Month in February.

"I want to do a tour, but instead of bookshops and universities I want to go to neighborhoods, school rooms, living rooms," Cornish, who lives in Brighton with his wife, said in an interview yesterday. "Highly visible artists are too rare. 'Rare' is good for wine, but it sucks for an artist. . . . My work comes out of Boston's daily experience, I want to be able to share that with my own."

Cornish, 72, said he started writing as an angry teenager, living in the poor black neighborhoods of Baltimore. Inspired by the likes of E.E. Cummings and T.S. Eliot, he abandoned the notion of poetry within the confines of rhyme and meter, instead writing streetwise observances of his world in free verse, a practice that continues today.

He moved to Boston in the 1960s, after serving in the Army Medical Corps. He traveled back and forth between Boston and Baltimore for the next decade, settling here in the mid-1970s.

"Boston was a horror show when I first came here," he remembered, referring to racial tensions in the city. "But it was better than Baltimore."

Much of Cornish's poetry embodies the African-American experience of the past 70 years, dealing with themes such as slavery, kinship, and civil rights, in language as tough as life on the streets.

"My mother's back is bleeding/ like the avenues and streets/ of American cities is dark/ & red like barbecue," reads a poem called "The Beating," published in 1996.

While Cornish's work often deals with the black male experience, he blurs the lines between autobiography and fiction.

"Ninety-five percent of it is not me at all," he said. "I use my life as a source, I represent the story through people who resemble - but who are not - me."

When City Councilor John Tobin introduced a resolution last year to create the two-year post of poet laureate, Cornish said he turned his nose up at the prospect.

"These things usually go to people who are well connected," he said. "I am not connected. I don't give safe interviews, and I work very hard not to give any impression of intelligence."

Cornish eventually gave in to the urging of his friends and applied for the position, which pays a corporate-sponsored $2,000-a-year stipend. Hennessey said the selection committee was taken with his commitment to education and the broad spectrum of ideas covered in his poetry, choosing him over 15 other applicants.

In announcing Cornish's appointment, Menino called him "an accomplished poet who will honor our city's rich literary heritage."

In addition to working with the city's youth, Cornish hopes to hold readings and workshops for senior citizens and put a spotlight on the city's underground arts scene.

"There's a lot going on that no one knows about," he said. "In Boston you have a wonderful cultural mix. Sometimes it's a little hectic, but it's all there."

Poet Jason Tandon Nov. 11, 2008

My guest Nov 11, 2008 5PM will be poet Jason Tandon author of the poetry collection:

Wee Hour Martyrdom



Jason Tandon was born in Hartford, Connecticut in 1975. He is the author of Give Over the Heckler and Everyone Gets Hurt, winner of the St. Lawrence Book Award from Black Lawrence Press (due out in 2009). He is also the author of two chapbooks, Rumble Strip (also from sunnyoutside) and Flight, both of which were nominated for the 2008 Massachusetts Book Award. His poems were twice nominated for the Pushcart Prize in 2007 and have appeared in many journals, including New York Quarterly, Notre Dame Review, Columbia Poetry Review, The Laurel Review, Poetry International, Poet Lore, and Fugue. Tandon holds a BA and MA in English from Middlebury College and an MFA from the University of New Hampshire.

Nov 4, 2008 Lawrence Kessenich : Former Houghton Mifflin Editor and Poet

My guest Nov 4, 2008 at 5PM is Lawrence Kessenich:


"I was born in Madison, Wisconsin in 1950 -- the year it was chosen "The All-American City" by Life Magazine -- and lived in a small town for a few years, but was in Milwaukee by seven years old, so I consider it my home town. Undergrad at the University of Wisconsin-Milwaukee, took six years to get through, from 1968-1974 -- quite an era to be in college! Meandered through my twenties, and finally went to grad school in creative writing (poetry) at UMass Amherst in 1977, at 27, where I lived half-a-block from Emily Dickinson's house and encountered poets James Tate, Donald Junkins, and Joe Langland (who tried to seduce me on the banks of Quabbin Reservoir, after we drank retsina, which he hid in a tree hollow, read poetry, and went for an illegal swim in the reservoir). When I didn't get a teaching assistantship for my second semester, I had to drop out of UMass, and I applied for the Radcliffe Publishing Course, was admitted, and attended in the summer of 1978.

My first publishing job was as editorial assistant to Robie Macauley, a well-known name in the literary world, at Houghton Mifflin (pronounced ho'-tun mif'-lin, by the way -- many people don't know how to pronounce it correctly). HM's trade division was still in a brownstone on Park Street, at the time, with a manual elevator. Robie, my boss, had been a rising star writer in the 50s, went the Iowa Writers Workshop, where he dated Flannery O'Connor, and went on to edit The Kenyon Review and become the first serious fiction editor of Playboy (good stories about his time there, by the way). He came to HM as a senior editor. I had to teach myself to type faster as his assistant, because I had to type all his letters, from which I learned a lot about how to speak to writers about their work. I also shared an office with another editorial assistant right next to the office of the editor-in-chief, Austin Olney, and was in a position to see things such as John Kenneth Galbraith -- an !
enormously tall man -- duck his way under our doorways to visit Austin.

Within a year of arriving at HM, I realized that I was going to have to show that I could acquire books in order to have any chance of being promoted, so I started pursuing authors. My first two successes were W. P. Kinsella's "Shoeless Joe" (probably my best publishing story) and Rick Boyer's "Billingsgate Shoal," a mystery (which won the Edgar for Best Mystery Novel of the Year.) Both books were accepted at one editorial meeting -- which I could not attend, as an editorial assistant -- and "Shoeless Joe" won the Houghton Mifflin Literary Fellowship, so those two books made people aware of me within HM, and I was soon promoted to assistant editor, and I could start traveling to NYC to visit agents. I was ultimately promoted to editor by Nan Talese, well-known literary editor and wife of Gay Talese. I had lunch at her home in NYC a couple times, and met Gay and saw his study, with its endless rows of filing cabinets containing research documents for his many non-fiction books.!


Over my 9.5 years at HM, I acquired another HM Literary Fellowship-winning novel, "Confessions of a Taoist on Wall Street" by David Payne as well as other fiction and nonfiction books. I worked with Diane Middlebrook and Diana Hume George, the editors of "Selected Poems of Anne Sexton" and, for a few years of the nine she worked on it, with Diane on "Anne Sexton: A Biography" (there was a very controversial aspect of that book, which occurred during my watch, so you should ask me about that). I met Jimmy Carter, whose biography Nan Talese edited (one day she called me into the conference room as I passed by to show me several Carter family photo albums that Jimmy had lent her to find photos for the book). Our "slush pile" (unsolicited mss. reader), Dell Hammond, passed on Terry McMillan's first novel, "Mama," to me, and I ended up being her first editor. (There are some very good stories about her, so be sure to ask about that experience.) "Shoeless Joe" was sold to the movies!
and became the basis for "Field of Dreams." On the eve of my departure from HM, my wife and I were invited to Fenway Park to be extras in the movie, and I was very warmly received by the director and actors, who knew the whole story of my work with Kinsella. The director placed us so that we appeared onscreen, in the background, during in the movie.

I left HM because I was frustrated with the limitations of book acquisition -- how much time had to be spent "selling" books one wanted to acquire to fellow editors and sales, sub rights and publicity departments -- and I was also too much on the writers' side to be a very good contract negotiator. I left HM in June, 1988 -- the very month of the "Shoeless Joe" filming at Fenway Park.

Since then, I have made my living, first, as a technical editor, then as a technical writer, and, finally, as a marketing writer for various marketing agencies and marketing departments of companies. During that time, I have written children's books and novels for adults (had agents for some of these, but none sold), short stories, poetry, and, most recently short plays -- I just submitted two ten-minute plays for the Boston Theatre Marathon. (I have a number of stories about those years.) I've achieved the most success with my poetry, so far, having published in half-a-dozen magazines and had the one chapbook published (another is under consideration, and I've submitted a full-length ms. to a number of contests)."

Oct 28 Gary Metras: Founder of Adastra Press

Gary Metras is the author of the poetry books: The Night Watches, Destiny’s Calendar, and Until There Is Nothing Left (Ridgeway Press, 2003), along with eleven chapbooks, most recently, Greatest Hits 1980-2006 (Pudding House, 2007). His poems, essays and reviews have appeared in such journals as The American Voice, Another Chicago Magazine, The Bellingham Review, The Boston Review of Books, California Quarterly, Connecticut Poetry Review, English Journal, New England Watershed, North Dakota Quarterly, Poetry, Poetry East, Sanctuary, Wild Earth, Yankee, and Tears in the Fence (UK), along with the recent anthologies Birth, Living Frost (Iowa 2002, 2005), and Proposing on Brooklyn Bridge (Grayson, 2003).

Metras is a past recipient of the Massachusetts Fellowship in Poetry. Virginia Quarterly Review wrote of his long poem, Seagull Beach, “The book’s feel, heft, and contents are an evocative experience.” About his chapbook on teaching, Today’s Lesson, NEA Today [journal of the National Education Association] had written, “Who would have guessed that an ordinary school day can inspire extraordinary lyrical moments?....In [the title poem] “Today’s Lesson,” the simple question, ‘Can a good man do evil?’ leads readers into the magic connection between students and teacher and between Metras and his reader.” And the critic-poet, Robert Peters, in reviewing Destiny’s Calendar, said, “Metras writes moving meditations on our lives, and on his own. His language is direct and unpretentious. His music has a full and faultless sound....In almost every poem there is a surprising passage of insight....Metras is an authentic, unpretentious moving voice. These are poems to read aloud, linger over, and share with friends.” And Small Press Review said of Until There Is Nothing Left: “Metras is writing a mytho-poetry here of stones and bridges, water and our bodies, the outer and inner places, the landscapes of mind and heart....Again and again, the poet goes through the threshold of the daily into the aware life that lies somewhere beyond words yet is rendered in the poem.”

Gary Metras is the editor, publisher, and printer of Adastra Press, which specializes in hand crafted chapbooks of poetry. Adastra publishes 2-5 titles a year and has released 77 titles from 47 poets around the country. In reviewing several Adastra titles last year, the American Book Review said, “As long as fine literary presses continue to handcraft handsome books like these from Adastra, serious readers of the twenty-first century can rest assured, the book is alive and well.” And Contemporary Poetry Review, the online journal, has chosen Adastra as Publisher of the Year 2006 (July 2007). He has read his poems at bars, book stores, colleges and universities, including Massachusetts College of Liberal Arts, University of Massachusetts at Amherst, Sarah Lawrence College, University of Detroit, and Kent State University. A native of Chicopee, Massachusetts, he has worked as a store clerk, tobacco picker, short order cook, hod carrier, air traffic controller (U. S. Air Force 1966-1970), book store manager, and high school English teacher. He holds degrees from the University of Massachusetts at Amherst and Goddard College. When not busy writing, printing, or fly fishing (he is on the board of directors of the Pioneer Valley Chapter of Trout Unlimited), Metras teaches writing at Springfield College and lives in Easthampton, Massachusetts.

Oct 14, 2008 John Amen founder of "Pedestal Magazine"

Oct 14 5PM






John Amen is the author of two collections of poetry: Christening the Dancer (Uccelli Press 2003) and More of Me Disappears (Cross-Cultural Communications 2005), and has released two folk/folk rock CDs, All I’ll Never Need and Ridiculous Empire (Cool Midget 2004, 2008). His poetry has appeared in various journals and anthologies, including, most recently, Rattle, The New York Quarterly, The International Poetry Review, Gargoyle, and Blood to Remember. He is also an artist, working primarily with acrylics on canvas. Amen travels widely giving readings, doing musical performances, and conducting workshops. He founded and continues to edit the award-winning literary bimonthly, The Pedestal Magazine (www.thepedestalmagazine.com).