Sept 9, 2008: Shirley Gerald Ware

9/9/08 5PM: Shirley Gerald Ware, is the author of three published books. She states:

" All three of my books �Just Kids,� �Somebody Too� and �The Final Goodbye� are available online at Amazom.com, from the publishers or you can order an autographed copy from the author. Besides, publishing books, Shirley is the publisher of Fresh! Literary Magazine, an online and quarterly publication of local and worldwide adults and teens writers of short stories, poetry and articles. Fresh! Literary Magazine was founded ten years ago and has since demonstrated tremendous growth worldwide. We�re nonprofit and therefore welcome donations of any amount. The author and publisher is accredited for writing numberless short stories, articles, book reviews and poems, many has won awards and honorable mentions."

Radio talk show host Maxine Thompson, "On the Same Page" interviewed her. Her current interview included her Editor, James Patrick Smith with Smoki Bacon and Dick Concannon, and THE LITERATI SCENE. The show will be aired September 26, at 7:30pm and repeat September 27, at 10:30am. The interview will run on 18 different channels at different times in New England.

One of her poems title �My Mother�s Eyes,� has been accepted for publication in �Mom Writers Literary Magazine� in March. She has a bachelor�s degree in English Writing from Northeastern University. I am currently writing my fourth children book. Submissions are welcome or visit us online and enjoy a good read.We encourge our readers to send feedback, if you read something you like, we would love to hear about it.

Aug 19 5 Mario Barros

My guest Aug 19 5PM Mario Barros (Lenguaviva)

Mario Barros (Lenguaviva)

www.lenguaviva.org



ARTISTIC RESUME



Mario Barros (Lenguaviva) (Santa Clara, Cuba, 1953). Humorist, writer, actor and composer. Has combined his teaching and artistic careers in a successful way. In Cuba Mr. Barros co-wrote the college level textbook The Literature of the United States (Pueblo y Educación, La Habana, 1981). From 1985 to 1991 his satiric stories regularly appeared in Cuban newspapers and magazines. In 1987 he founded the comedy group Lenguaviva (“Living Language”) that gained an outstanding reputation in theater, radio and TV. Mr. Barros wrote more than seventy songs and skits for the Lenguaviva repertory and won two national comedy awards with the group. In the United States Mr. Barros directed the Somerville High School Drama Club for seven years and put more than twenty shows on stage with it. Five of those plays were written by him and have been collected under the title Five Insomniac Plays. Mr. Barros is also the author of the collection of short stories El color no cae del cielo (Galadriel Ediciones, Montevideo, 2007); the novel KleanKuts, Inc. and humorous commentaries published in several online magazines. Currently, again as Lenguaviva, Mr. Barros writes humorous commentaries in Spanish and English that have been published in Boston area papers El Mundo, Siglo21, El Planeta (where he also edits the humorous page El Bus de Lenguaviva), The Somerville Journal and The Somerville News. He has also written and conducted El Bus de Lenguaviva, a weekly radio show on WUNR Radio International, 1600 AM, Boston, and presents his one-man show CUENTAMETUVIDA (TELL ME ALL ABOUT IT) in venues throughout the Boston area. Book signing presentations have taken him to Santiago de Chile, Montevideo and Miami. In March 2008 The Boston Globe published an extensive article (Super Mario Barros) on his life and works. Mr. Barros resides in Massachusetts, where he came from Cuba in 1995

Aug 12, 2008: Bibliographer of Boston Literature:Gerald Richman

My guest on Aug 12 5PM will be Suffolk University English Professor Gerald Richman the creator of the online: Annotated Bibliography of Fiction Set in Boston.


Introduction

I. History


In the mid-1980s I inherited the Boston: A City in Fiction course at Suffolk University, Beacon Hill, Boston, from retiring colleague Ed Clark, who, in response to a call for relevance, had started the course in the 1960s along with courses on African-American literature. He passed on to me his reading list for the semester: Nathaniel Hawthorne’s The Scarlet Letter, Henry James’s The Bostonians, Jean Stafford’s Boston Adventure, Dan Wakefield’s Starting Over, Edwin O’Connor’s The Last Hurrah, Dorothy West’s The Living Is Easy, and novels for a term paper, William Dean Howells’ The Rise of Silas Lapham, James Carroll’s Mortal Friends, and Daniel Smith’s A Walk in the City. He also gave me a list including five additional “Novels by Black Writers Set, Wholly or Partially, in Boston.” These books formed the basis of the course I have taught for the last twenty years and for the Annotated Bibliography I compiled in my search for new readings for class and for student papers. By December 2007, Ed’s initial two-page reading list had grown to 40 pages. Since then, thanks to a sabbatical granted to me by the College of Arts and Sciences at Suffolk University for Spring semester 2008, the bibliography has grown to over two hundred pages with the addition of thousands of entries and detailed annotations.

Originally in typescript, with my expanding use of technology, the bibliography became a word processor file and by the mid-1990s a web page. Thanks to the excellent resources provided online by WorldCat, Google Books, Amazon, Internet Archives, Wikipedia, several universities, and many professional scholars and private devotees of romances, detective and suspense novels, and comic books, this bibliography is the most powerful I can imagine, providing for entries (when available) links to the full texts (especially useful for rare 18th, 19th, and early 20th century texts held only by a few research libraries), Library of Congress subject headings, and links to Amazon and Google Books for searchable texts, back covers, reviews and summaries, and scholarly analyses. To those of us who came of age before the Internet, the easy availability of these splendid resources is a modern miracle.

With so many details in a project like this, despite constant efforts, there are undoubtedly hundreds, indeed thousands, of errors. I would be very appreciative if users of this bibliography would email me (grichman@suffolk.edu) corrections,